Raya Martin: The enigma that is (Rappler.com)

Published in Rappler.com (August 1, 2012)

DIREK RAYA MARTIN. Photography by Cholo dela Vega. Grooming by Georginna Desuasido.
DIREK RAYA MARTIN. Photography by Cholo dela Vega. Grooming by Georginna Desuasido.

 

MANILA, Philippines – Twenty-eight-year-old filmmaker Raya Martin sure seems to love defying expectations.

His debut into the Philippine filmmaking scene took industry insiders by surprise, as the then-fresh graduate of the University of the Philippines Film Institute was unsuccessful at early attempts to get a job in Manila.

What he got, instead, was a filmmaking residency at the prestigious Cinéfondation Residence du Festival de Cannes in Paris, France — becoming the first Filipino filmmaker to be selected for the program.

That opened up for Martin, like Alice in the proverbial Wonderland, his very own cinematic rabbit hole.

“It was soooo crazy,” Martin recounts. “I was 21, I didn’t know anything, but I knew exactly what I wanted.”

This is an excerpt only. To read the full feature, visit the Rappler website HERE.

From femme fatale to security frontliner (Vault)

Vault takes a closer  look at the evolution of the women who once dominated the skies

VAULT - From femme fatale to security frontliner (June-July 2012)
VAULT – From femme fatale to security frontliner (June-July 2012)

The so-called Golden age of flying coincided with the packaging of female flight attendants as sex symbols. Then called stewardesses, they were meant to coax and predominantly male passengers at that time into flying the airline they represented.

This was evident as early as 1955, when United Airlines stewardess Barbara Cameron posed as Playboy magazine’s Miss December. She re-appeared in 1958 as “The Girl Next Door” and was named one of the magazine’s most popular “playmates.”

A 1965 article in the Des Moines Register said that male passengers expected stewardesses “to look like a Las Vegas showgirl, and are angry when she doesn’t.”

And in 1967, the bestseller Coffee, Tea or Me? The Uninhibited Memoirs of Two Flight Stewardesses revealed the in-flight exploits of stewardesses and their “bad boy” passengers, and listed the celebrities with whom the girls allegedly had had romantic dalliances. The veracity of the accounts has since been challenged and the book is now listed as “adult fiction.”

The in-flight innuendo reached its peak in the 1970s, when National Airlines put out an ad showing a pixie-faced flight attendant with the copy, “I’m Cheryl. Fly me.” Other Mad Men-type gimmicks included Braniff’s “Air Strip,” where “air hostesses” peeled off layers of clothing during the flight; paper dresses for TWA stewardesses (soon junked when male passengers made a habit of burning cigarette holes in them for “fun”—yes, smoking on board was allowed back then); and Eastern Airlines’ little black book giveaway, which was meant to encourage male passengers to get the phone numbers of flight attendants.

VAULT Magazine, June 2012 issue, p. 59: Samples of some risque airline advertising materials (Courtesy of VAULT Magazine)
VAULT Magazine, June 2012 issue, p. 59: Samples of some risque airline advertising materials (Courtesy of VAULT Magazine)

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This is an excerpt only. The full article is featured in the Travel Issue of Vault Magazine, (June-July 2012). Vault Magazine is available in the Philippines at all Fully Booked, Powerbooks, and National Bookstore branches. For more details, visit Vault‘s Facebook page HERE.